There is plenty of controversy over casting a prominent white male as the superhero in the upcoming film “The Great Wall”, referring to China. Constance Wu claimed that the casting perpetuates a “racist myth”. That white man is Matt Damon.
The film will be directed by Yimou Zhang, for Universal and Legendary Pictures.
A couple of accounts: Variety, and Complex. The Washington Post, in a piece by Gene Park, asks "What will it take to tear down the wall of Hollywood racism?"
Damon had been a target of the whimsical essay in the (conservative) Weekly Standard in 1999 by David Skinner, “Notes on the Hairless Man”.
Given the location of the film, Wu’s comments do seem somewhat appropriate. But I’d be concerned if the insistence on “diversity casting” spread to independent films with erotic subplots or contexts. Sometimes, gender and race are simply not interchangeable. That would be the case for my own screenplay script “Do Ask, Do Tell: Epiphany”. Quirky fetishes can be affected by race.
Some of the controversy has spilled over into discussion at “Project Greenlight” as Adaptive Studios leads its rebirth.
What about the idea that only a "white man" can save the world? Tom Welling, cast as the teen Clark Kent for "Smallville" (and the Remy Zero head song "Save Me") certainly at one time pandered to the northern European fantasy of physical perfection. Not so much now as the actor has aged too quickly.
Damon, now a youthful 45, had played (at age 26) the genius kid alongside Ben Affleck and Robin Williams in Gus Van Sant’s “Good Will Hunting” (Miramax) in 1997, one of my all time favorites.